Greetings,
Here is the weekly roundup of Black Lives Matter, protests and equity-centered news.
Best,
Jerelle Jenkins
Local Arts Services Coordinator
Americans for the Arts
202.371.2830 x2086
Pronouns: she/her/hers
From: Ruby Lopez Harper <rharper@artsusa.org>
Subject: August 12, Black Lives Matter, protests and equity-centered weekly news roundup
Hello/hola, esteemed colleagues:
In response to requests for information, national context and what is happening in other communities, we are compiling this digest to support you in navigating current events
and in your commitment to equity in the long term. We will circulate this news digest weekly, every Wednesday. While this is certainly not a comprehensive or exhaustive list, we hope it boosts you in your exploration, knowledge and awareness building.
We are looking at additional ways to support your equity work and welcome resources, ideas, examples and opportunities to share with the field. Please send them to
services@artsusa.org.
We invite you to share this news roundup with your networks and colleagues.
Thank you for your continued work.
PROGRAMMING/RESOURCES
(We will feature new offerings here – free to low-cost opportunities. Previous listings have been moved down to below the signature)
Hosted by Alliance for Artists Communities. BIPOC (Black, Indigenous and People of Color) and people with disabilities working in the residency field and the arts at large
are invited to join this regular discussion, with the one intention: to build community. Open to staff of AAC member organizations + non-member organizations
Narrative drives policy. When we think about the ways philanthropy has and continues to play a big role is this process of perpetuating, shifting, debunking, or changing
narratives, it is important to turn to those who work relentlessly and consistently as examples of how the field can look in the present and future. This discussion at GIA is foregrounded by our narrative
change series in 2019, where we featured funders and guests including Akonadi Foundation, Rinku Sen, Doris Duke, Jeff Chang, Saint Paul and Minnesota Foundations, Ford Foundation, and others.
MoMA works to remove physical, programmatic, and attitudinal barriers within the Museum. At the core of this work are disability equality workshops, where staff reflect
on their own lived experiences, and learn to identify and transform language, attitudes, and behaviors that negatively impact visitors with disabilities. Through this series of interviews, hear first-hand from New Yorkers with disabilities who share a passion
for art.
On August 10, 2020 Pulitzer Prize-winner Isabel Wilkerson, the acclaimed author of "The Warmth of Other Suns," discussed her latest book, "Caste: The Origins of Our Discontents,"
with 2020 Hans Christian Andersen Award-winning and New York Times best-selling author Jacqueline Woodson. Wilkerson’s new immersive narrative examines how America has been shaped by an unspoken caste system and the impacts of this rigid hierarchy of human
divisions on our lives today. Linking the caste systems of America, India, and Nazi Germany, she explores eight pillars that underlie these systems across civilizations, including divine will, bloodlines, stigma, and more.
As part of her residency, Erin led a virtual panel series called "Confronting Colonial Myths in Boston's Public Space". In this two-part series, Indigenous leaders and artists speak about their work
in the public realm, and address how symbols perpetuating colonial myths affect the lives of Indigenous people in the city and contribute to the public health emergency of racism.
The presentation captures the design thinking process re-imagined to promote equity. This new framework was created in May 2016 to hold the vulnerability and courage needed
to develop one’s self-awareness as a equity-centered designer. We added two new design modes to the existing hexagonal d.school design thinking visual: Notice and Reflect.
The characteristics outlined in this document depict those of white dominant culture that show up in our organizations formal and informal, big and small, as well as characteristics
of culture that can allow space for inclusion of multiple talents, perspectives, and life experiences. Culture is powerful precisely because it is so present and at the same time so very difficult to name or identify. Many of the characteristics listed below
are damaging because they are habits and are used as norms and standards without being pro-actively named or consciously chosen by the group. They are damaging because, sometimes as stand alone habits and frequently when experienced together, they promote
experiences of white supremacy. They are damaging to both people of color and to white people. Organizations that are people of color-led or a majority of people of color can also demonstrate many characteristics of white dominant culture in damaging ways.
There are many components to organizational change. Each of them can be considered from a lens that considers diversity, inclusion and racial equity, with a goal of aligning
them with what is known about how to reduce white culture and achieve racial equity goals. Internal operations need to be aligned with an organization’s commitment and values for legitimacy and credibility externally.
FIELD NEWS
NEWS
ART/ARTIST RESPONSE
TAKE ACTION
Thanks for reading. We hope you find this news digest to be a helpful tool to support your equity work, and welcome feedback at
services@artsusa.org.
If you were forwarded this and want to sign up for the Local Arts Network listserv to receive it directly,
click here.
____________________
Ruby Lopez Harper
Senior Director of Local Arts Advancement
Americans for the Arts
Pronouns: she/her/hers
FIELD PROGRAMMING
Presented by the New England Foundation for the Arts. This mini-series is part of an ongoing “Public
Art, Public Places”, an ongoing collaboration between the Metropolitan Area Planning Council and the New England Foundation for the Arts that hosts cross-sector conversations for
planners, artists, culture bearers, and community leaders.
Hosted by Reynaldi Lindner Lolong, the Director of Digital Engagement for The Public Theater and founder of the unofficial group BAMF (BIPOC Arts Marketing Folks). In
a time where many arts organizations only exist online through websites, digital content, and social media channels, combined with a growing public accountability for social justice and institutional transparency, the role of the marketing and communications
director is uniquely poised to bring about change. At the same time, these roles often sit within traditional white supremacist power structures designed to reinforce the industry norms. This conversation will bring together four leaders in theater, music,
dance, and opera for a frank discussion on the industry, anti-racism, and their aspirations for the future of the field.
Hosted by Performing Artist Advocacy League. A Black Mama-led zoom community for BIPOC* Mamas** in the performing arts and media. Feel free to invite other BIPOC mamas
you know to the group so they can RSVP here and receive the link! It's a free, community-based space built for connection. *PAAL is committed to anti-racism in every action, space, and interaction. Please only RSVP to this event if you identify as a Black
Mother. We will be sharing a zoom community for BIPOC Parents and Indigenous Mamas, specifically, soon as well. **PAAL is a trans and non-binary affirming organization. The term "mama" and any derivative is used for any and all who identify with the term in
their parenting/caregiving.