We have moved away from a blind review to focus on providing panel members with all of the information we request from artists. We still ask for a letter of interest and up to ten work samples, but provide lots of flexibility in the letter content and in the image list template where we encourage artists to bring their voice to the panel members.

 

We have also started to include the following language in all of our calls and specified this as a  firm directive for our bi-annual acquisition for our Boise Visual Chronicle and Portable Works collections. The call in 2019 resulted in a great range of applications from artists who had previously not engaged with our programming.

 

STATEMENT ON DIVERSITY, EQUITY AND INCLUSION

In 2017, the Arts & History Commission endorsed a statement on cultural equity. In recognition of the initiative, the Department of Arts & History will strive to accession works into the collections which serve to reflect the rich and diverse past, present, and future of the Boise community. “To support a full creative life for all, we commit to championing policies and practices of cultural equity that empower a just, inclusive, and equitable nation.” Cultural equity embodies the values, policies, and practices that ensure that all people—including, but not limited to, those who have been historically underrepresented based on race or ethnicity, age, disability, sexual orientation, gender, gender identity, socioeconomic status, geography, citizenship status, or religion—are represented. Cultural equity is critical to the long-term viability of the arts sector. The prominent presence of artists challenges inequities and encourages alternatives.

 

We pulled language from the AFTA statement because the City of Boise does not currently have an organization-wide policy, though work is being done now.

 

 

 

Karl LeClair

Public Art Program Mgr

Boise City Department of Arts & History

Office: (208)608-7044

kleclair@cityofboise.org

 

Making Boise the most livable city in the country.

From: public_art_network@americansforthearts.simplelists.com <public_art_network@americansforthearts.simplelists.com> On Behalf Of Julia Muney Moore
Sent: Tuesday, January 28, 2020 12:30 PM
To: public_art_network@americansforthearts.simplelists.com
Subject: [External] Re: Adding Diversity to your Collection

 

We used to do blind reviews but we don't anymore. There was just too much bias on the aesthetics. We go into the review with full knowledge of the artist and all their dimensions that they cared to share with us on their applications.  

 

We've also gone to a far more open-ended application process with simple Formstack forms and allow them to submit their website, blog, or other social media that illustrates their work in addition to or instead of individual images. We also provide lots of free space on the application and encourage them to ramble. It's really opened up who ends up applying, as it's far more friendly and recognizes them where they are rather than where we expect them to be. Uncovers a lot of newer artists we can watch and develop, too. Yes, it's a lot more work for us, but it results in a better program.


Julia Muney Moore (she/her/hers)

Director of Public Art

Arts Council of Indianapolis

 

924 N. Pennsylvania St.

Indianapolis, IN  46204

(317) 631-3301 x 240

(317) 332-8382 mobile

 

 

 

 

 

On Tue, Jan 28, 2020 at 1:57 PM Liesel Fenner -COMMERCE- <liesel.fenner@maryland.gov> wrote:

Within this conversation, I would like to know of programs that do NOT do a blind review process in Round 1 artist selection. I am concerned potential candidates are not getting past Round 1. 

Artist selection panelists (particularly non-arts professionals) need more background and contextual information on the artwork samples AND importantly, the artist they're reviewing. 

I'd welcome info on your models of artist selection.

Thanks,

Liesel

 

Liesel Fenner

Program Director, Public Art

Maryland State Arts Council (MSAC)

175 W. Ostend Street, Suite E | Baltimore, MD 21230

O 410-767-6544 | E liesel.fenner@maryland.gov

Image removed by sender.Image removed by sender.Image removed by sender. https://www.instagram.com/mdartscouncil/Image removed by sender.Image removed by sender.

 

On Tue, Jan 28, 2020 at 1:12 PM Bloom, Roberta <rbloom@auroragov.org> wrote:

We would be very interested to hear these responses as well.

 

As the nation’s 9th most diverse city, Aurora’s AIPP Commission and Program recently adopted and Equity, Diversity and Inclusivity statement and are now working at implementing those goals.  It is challenging, and too soon to know what will be effective and what will not.  Change takes time.

 

We would also be interested to hear from anyone with policies or language specifically addressing issues of authenticity and cultural appropriation.

 

Thank you.

 

Roberta

 

 

Roberta Bloom, Public Art Coordinator

Department of Library and Cultural Services | City of Aurora

14949 E. Alameda Pkwy., Aurora, CO 80012

office 303.739.6747
City SealCore 4 cid:image002.jpg@01D3969F.FBA7A1F0
Facebook | Twitter | Instagram | Nextdoor | AuroraTV.org     

 

 

From: public_art_network@americansforthearts.simplelists.com [mailto:public_art_network@americansforthearts.simplelists.com] On Behalf Of Wilkinson, Emily
Sent: Tuesday, January 28, 2020 7:48 AM
To: public_art_network@americansforthearts.simplelists.com
Subject: Adding Diversity to your Collection

 

Hi PAN,

 

This might be an odd question, but I wanted to see what everyone’s strategies were for adding more diversity to their public art collection, both through the artists selected and the subject matter of the works. I’m not sure if this has been a session at the conference before, but it might be a good one to do sometime.

 

Thanks for your help and suggestions!

 

Emily

 

 

Emily Wilkinson, M.A., M.Ed.

Director for Public Art

 

System Administration Building | 1508 Knoxville Avenue | Suite 103

Box 42014 | Lubbock, TX  79409-2014

T 806.742.2116 | D 806.834.1668

texastech.edu/publicart

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--

Liesel Fenner

Program Director, Public Art

Maryland State Arts Council (MSAC)

175 W. Ostend Street, Suite E | Baltimore, MD 21230

O 410-767-6544 | E liesel.fenner@maryland.gov

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Maryland State Arts Council grantees generate $1.3 billion in economic activity and support 16,922 jobs and $60 million in state and local tax revenue. Source: FY2019 Annual Report.

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