Mine too that I just sent is part of the artist’s contract, the last exhibit, Exhibit D 😊

 

Jana L Weldon

Beautification, Arts & Sciences Program Manager

928.863.4298 (Primary: Work Cell)

928.213.2969 (Desk/Voicemail Only)

6 E Aspen Ave, Suite 200

Flagstaff, AZ 86001

It’s not what you look at that matters, it’s what you see.” Thoreau

A picture containing logo

Description automatically generated

 

Bed, Board & Beverage Tax Funds benefit

Beautification, Arts & Sciences

 

 

From: Laura Atria <Laura.Atria@copbfl.com>
Sent: Thursday, September 5, 2024 2:01 PM
To: Jana L. Weldon <Jana.Weldon@flagstaffaz.gov>; Jordyn Patrias (Arts) <Jordyn.Patrias@sanantonio.gov>; 'Fox, Willow' <Willow.Fox@4culture.org>; TSUS Public Art <publicart@tsus.edu>; public_art_network@americansforthearts.simplelists.com
Subject: RE: [EXTERNAL] RE: Closeout documents

 

You don't often get email from laura.atria@copbfl.com. Learn why this is important

Here’s the form Pompano uses. We include this as an exhibit in our Contracts and state it is to be filled out and returned prior to their last payment.

 

From: public_art_network@americansforthearts.simplelists.com <public_art_network@americansforthearts.simplelists.com> On Behalf Of Jana L. Weldon
Sent: Thursday, September 5, 2024 4:59 PM
To: Jordyn Patrias (Arts) <Jordyn.Patrias@sanantonio.gov>; 'Fox, Willow' <Willow.Fox@4culture.org>; TSUS Public Art <publicart@tsus.edu>; public_art_network@americansforthearts.simplelists.com
Subject: RE: [EXTERNAL] RE: Closeout documents

 

EXHIBIT D ARTISTIC, TECHNICAL AND MAINTENANCE RECORD (To be submitted with final invoice) 1. General Information Artist Title of artwork Location General description of artwork 2. Artist’s Statement about Artwork – to be used for publicity of

 

EXHIBIT D

 

ARTISTIC, TECHNICAL AND MAINTENANCE RECORD
(To be submitted with final invoice)

 

1. General Information

 

            Artist

 

            Title of artwork

 

Location

 

General description of artwork

 

2. Artist’s Statement about Artwork – to be used for publicity of the Artwork.

 

3. Artwork Information – in depth information for overall Artwork and for each individual element.

 

Medium and Description of Materials (include materials thickness, welding rod alloy or joint material, casting alloy, wax body, glass or fiber type)

 

Special Methods Utilized in Execution of Artwork (welding or joint method, technique or construction method – attach fabrication drawings)

 

Material Finish (glaze, paint color and type, sanding grit, tool pattern, patina, surface sealer)

 

Installation Method(s) (foundation installation structure, bolt/pin size, grout)

 

Placement of Artwork (cautions regarding sunlight, heat, etc)

 

4. Vendors/Parts/Storage – include supplier’s name, address and phone number, description for all components of Artwork; attach copies of manufacturer specifications whenever possible.

 

5. Regular Maintenance Schedule – include cleaning agents and recommended cleaning procedure, yearly maintenance schedule for the entire Artwork and recommended procedure to check any electrical or mechanical parts that are integrated in this work.

 

6. Special Considerations and/or Additional Pertinent Information

 

7. Plaque Text

 

            Artist’s Name

 

            Title of Artwork, Year Completed

 

            Beautification, Arts & Sciences, City of Flagstaff

 

 

Jana L Weldon

Beautification, Arts & Sciences Program Manager

928.863.4298 (Primary: Work Cell)

928.213.2969 (Desk/Voicemail Only)

6 E Aspen Ave, Suite 200

Flagstaff, AZ 86001

It’s not what you look at that matters, it’s what you see.” Thoreau

A picture containing logo

Description automatically generated

 

Bed, Board & Beverage Tax Funds benefit

Beautification, Arts & Sciences

 

 

From: public_art_network@americansforthearts.simplelists.com <public_art_network@americansforthearts.simplelists.com> On Behalf Of Jordyn Patrias (Arts)
Sent: Thursday, September 5, 2024 1:39 PM
To: 'Fox, Willow' <Willow.Fox@4culture.org>; TSUS Public Art <publicart@tsus.edu>; public_art_network@americansforthearts.simplelists.com
Subject: RE: [EXTERNAL] RE: Closeout documents

 

Hi all,

 

I’m also interested in this.

 

As related to this topic, I would be curious to know what type of requirements people have for their maintenance forms and any templates folks would be willing to share!

 

Thank you!

 

Jordyn Patrias, MA, PMP (she/her/hers)

Lead Public Art Project Manager, Public Art Division

Department of Arts & Culture

210.207.1434 (Office)

 

From: public_art_network@americansforthearts.simplelists.com <public_art_network@americansforthearts.simplelists.com> On Behalf Of Fox, Willow
Sent: Thursday, September 5, 2024 12:00 PM
To: TSUS Public Art <publicart@tsus.edu>; public_art_network@americansforthearts.simplelists.com
Subject: [EXTERNAL] RE: Closeout documents

 

Hi Nisa,

 

Good question, I’m also curious if there’s anything of a standard. For commissions and purchases we ask for an artist bio and statement, and a maintenance info form that goes into every little detail about fabrication and maintenance needs/recommendations. We also request an updated resume for commissions.  We also save any as-builts and stamped engineering documents, which usually the PM has on hand already.

 

There are many other files we keep on permanent record for each project, but these are the ones that come from the artist at the end of a project.

 

Cheers,

~W~

 

 

 

Willow Fox (she/her/hers)
4CULTURE | Public Art
Website | Facebook | Instagram | Twitter

T 206-263-0364
101 Prefontaine Pl S, Seattle, WA 98104

 

 

 

From: TSUS Public Art (via public_art_network list) <public_art_network@americansforthearts.simplelists.com>
Sent: Wednesday, September 4, 2024 10:52 AM
To: public_art_network@americansforthearts.simplelists.com
Subject: Closeout documents

 

[EXTERNAL Email Notice! ] External communication is important to us. Be cautious of phishing attempts. Do not click or open suspicious links or attachments.

Question for program administrators: what "closeout" documents do you require an artist provide/complete at the end of a project? Do these documents differ if you are commissioning a piece or purchasing existing art? I'm curious if there is a documentation standard across the industry. 

The various closeout documents I've encountered include:

-Title transfer document

-Certificate of Authenticity

-Acknowledgement of ownership

-Final project report with budget

​-Affidavit of Bills Paid (notarized)

-Statement of completion 

Thanks!

 

Image

 

Nisa Barger

Director of Public Art

The Texas State University System

 

512.463.4861 | www.tsus.edu | nisa.barger@tsus.edu

 

 

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