Greetings SPPDCACPAP and all the rest of you PANsters.


Beginning in 1991, Chicago Public Art Group formed specific collaborations between muralists and spraycan artists. Leadership, aesthetics, responsibility, effective communication were the responsibility of everyone. Artists were encouraged to try the material they did not know – to gain experience and understanding. The collaborations were equal – equal pay, equal responsibility. It was/is not a competitive approach. There is no one to defeat. This persists (with other good energy).


If there is/was work already on a site to be repainted, we would sometimes consider if the content (or the artist) could be referenced in the new piece.


Design.

Skill counts. Drafting, color, application.

Artists are aware of local gang colors/symbols and avoid them according to the site.

Artists create work that is representative, in complicated ways, of the community in which it is located.

And, the design is consciously and consistently more dense between 2’ and 7’ from the ground.


Jon ;-)

On 1/4/18 11:50 AM, Pontious, Susan (ART) wrote:

Dearest HWWODOCPAG,

Oh, venerable one, please don’t tantalize us with your knowledge; what are the techniques you have used to reduce/eliminate graffiti on murals?  I agree that coatings are not the necessarily the solution. 

 

Susan Pontious

Program Director

Civic Art Collection and Public Art Program

San Francisco Arts Commission

401 Van Ness, Suite 325

San Francisco, CA 94102

Phone:  415-252-2241

Website: http://www.sfartscommission.org
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PLEASE NOTE:  We moved our offices Oct. 9, 2015 to

401 Van Ness, Suite 325

San Francisco, CA 94102

 

NEW PHONE Number:  As of Oct. 9th, my new phone number is:

(415) 252-2241

NOTICE: Please be mindful that all correspondence and documents submitted to the San Francisco Arts Commission are public records and as such, are subject to the Sunshine Ordinance and can be requested by the public. If this happens, all sensitive personal information, such as social security numbers and phone numbers will be redacted.

 

From: public_art_network@americansforthearts.simplelists.com [mailto:public_art_network@americansforthearts.simplelists.com] On Behalf Of Jon Pounds
Sent: Thursday, January 04, 2018 7:37 AM
To: public_art_network@americansforthearts.simplelists.com
Subject: Re: Anti-graffiti coatings on painted retaining walls

 

Do the retaining walls have soil/rainwater behind them? Chicago experience is that you want/need a breathable primer in those cases. i.e. gesso breathes much better than polys or epoxies.

There are other techniques (developed over years of conscious attention) that  have been very effective in reducing/eliminating graf on murals (at least in Chicago). Many of our murals don't even have coatings on top of the color - the fewer the layers of paint applied, the better the wall will breathe.

Jon Pounds - HWWODOCPAG

 He Who Was Once Director Of Chicago Public Art Group

 

On 1/4/18 7:58 AM, Lange, Christopher wrote:

Hello PAN ListServ,

 

We are looking for recommendations of anti-graffiti coatings on painted retaining walls that use a two part Sherwin Williams system of Macropoxy 646 (primer) and Acrolon 218 Polyurethane. If any of you have any products you’ve had success with in the past in this type of application that doesn’t affect the finished wall color, please share.

 

Thank you,

 

Chris Lange

Art-in-Transit Program Administrator

Charlotte Area Transit System (CATS)

600 East Fourth Street Charlotte, NC 28202

P. 704-432-2391 / ridetransit.org

 

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