Lynn

In my experience it can be helpful to think about developing a diverse group of qualified applicants so that selection committees are more likely to have an artist of color in the group of finalists.  It helps to take a close look at the places a project is advertised and try to bring it to the attention of university art departments and other organizations that have strong connections to professional artists of color, even if not specializing in public art. Word can get around. I have on occasion searched the bios of university art department faculty to send the RFQ to specific people as well as the chair or administrative office.  I have also done this to try and get a strong showing of applicants from our state. 

Ann Wykell
Social Sector Solutions
www.socialsectorsolutions.com

On Sat, Nov 3, 2018 at 12:36 PM Lynn Basa <lynnbasa@lynnbasa.com> wrote:
Hi, everyone
Still slogging through writing the second edition of The Artist's Guide to Public Art.  I'm looking for these examples to include in the book:

1)  What measures have percent-for-art programs taken to increase the number of artists-of-color that apply for and are awarded commissions?

2)  Commissions completed by artists-of-color that I could include in my book.

Thank you,
Lynn Basa

--
Lynn Basa
The Corner Project
(773) 289-3616


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